The Bric-a-Brac of Mickey Mack

 

Poetry /Comedy Satire Gift Rhyme Millennial Humor 

Silverstein Memory

Date Published: 04-15-2026

Publisher: The Tink and Tank Press



A wry poetry collection that captures the jarring sink-or-swim leap into adulthood. This book honors the limbo of exiting youth, a unique period where responsibility suddenly smashes the youthful optimist, crushing it under the crippling weight of adulthood. Twenty-somethings scatter across life’s spectrum with some jobless and couch-surfing, while others marry, become parents, and buy a house. Everyone eventually finds themselves old enough to fight in foreign wars but too young to rent a car. It’s the fast, brutal shift to an unguarded world, to bowling without bumpers. You’ve entered a chaotic soup of competing ambitions and subterfuge, where one hand offers help while the other conceals a knife. You’re expected to be an adult without ever having been one, like seeing the ocean from afar and suddenly wrestling its waves. This book highlights the inevitable sense of crushing defeat and loss, but reveals the importance of laughing anyway. After all, life is a game of avoiding the consequences of your own actions. The Bric-a-Brac of Mickey Mack will hand you a mirror and dare you to laugh at its reflection.


Excerpt

I sat across from him, he had a twisted distant gaze while he wracked his mind and grappled with a foolish phrase which was written on a note and shuffled in a mess of junk atop a desk ensconced in filth, no doubt the man was drunk. His name was Mickey Mack, both laser focused and aloof, fenced in by Bric-a-Brac unpacked and stacked up to the roof. A product of his times, so wise, yet dumber than a door. A man of vast experience and yet he’s such a bore. He’d traveled ’round the world and been to many foreign lands to simply say he had, to sit and sulk, his only plans. For “that’s what people do,” he’d say, “they travel to enjoy the petty world and what it offers every girl and boy.” Despite the fact that Mr. Mack had traveled far and wide he would do what’s done at home and find a bar to sit inside. And there, while many past him by, bemoaning life itself, it tortured Mickey for he couldn’t help but see himself. He realized now that time is gone, and that’s the way it is, and he, while living other people’s lives, had wasted his. And as a way, as best he could, expel the toxic bile, he has compiled every groan and gripe within a file. And written down, at last, now put together in a book the crying whines of all he heard from all the trips he took. A vapid, superficial twit, he sobered up somehow, and Mickey Mack looked up at me behind a furrowed brow, and as he squinted, leaning closer straining hard to see, He was looking in a mirror, for the hopeless fool was me.

 

 

About the Author


Mickey Mack is a world-weary traveler and obsessive collector of life’s absurd talismans and trinkets. After years of eavesdropping on bar-stool confessions around the globe, he distills the Suffering Olympics of modern adulthood into witty, rhythmic heroic couplets.


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Sasq’et

@RABTBookTours #RABTBookTours #Sasqet #MaximLangstaff #HistoricalFiction

 

 


Historical Fiction / Mythology

Date Published: ‎April 7, 2026

Publisher: ‎ Manhattan Book Group



IN 1939, A DEADLY CONFRONTATION IN THE CANADIAN WILDERNESS shatters young Albert Pingree’s life and leaves him the keeper of a truth so staggering it could tear apart mankind’s understanding of itself. Sixty years later, his granddaughter Mallory – a small-town veterinarian in rural New Hampshire, inherits more than his fortune; she inherits his secret. When Albert is found dead behind his remote British Columbia cabin, Mallory is drawn into a world of deception, lost identity, and scientific obsession. Inside a locked candle box, she uncovers a horrific relic – a severed hand too large to be human – and a note that beckons her toward the impossible.

Mallory recruits Dr. George Avery, the world’s leading field zoologist to help her identify what she has found. At first, he is reluctant, unaware of the magnitude of what she has brought to him. As the puzzle begins to take shape, he is confronted by what the answers they find, reveal.

Exploring deeper, their growing affection ignites a sense of purpose, even as they face the shadows of the past and the dangers of their pursuit. In the haunting wilds of the Pacific Northwest, nature’s grandeur and brutality are ever-present. Tangled forests and untamed rivers, bears, wolves, and the ancient reverence of Indigenous traditions surround them, blurring the lines between myth and reality. Their quest becomes a journey not only to solve a mystery, but to reconcile love, loneliness, and the immortal question of our place in a world still ruled by secrets.


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About the Author


Maxim Langstaff is a Grammy-and Emmy-nominated writer, producer, and author whose creative and editorial work has reached millions of people worldwide. He is recognized for his innovative vision and exceptional versatility and reach, crafting narratives that reflect powerful insight into the natural world and our relationship to it.

His debut novel, SASQ’ET will be released on April 7, 2026.

Max holds an honorary doctorate from Connecticut College and a degree in Anthropology. He is a member of The Writer’s Guild and past participant at the Breadloaf Writer’s Conference. His editorial and creative writing has been published by The New York Times, Philadelphia Enquirer, Gannett, Wildlife Conservation Magazine, PBS, Disney, and the Wildlife Conservation Society.

Max produced the multi-media Making of Sgt. Pepper with Sir George Martin, featuring Paul McCartney, Ringo Starr, George Harrison and Phil Collins.

He wrote and produced the most complete filmed history of the Beatles through the eyes of Sir George who signed them, produced their work, and played on many of their recordings. A part Max’s film became the award-winning PBS series Soundbreaking.

Many of the greatest pop culture icons of the 20th century have collaborated with Max on projects he has created, written, and produced including Herbie Hancock, Brian Wilson, Elton John, Joni Mitchell, B.B. King, Tony Bennett, Vince Gill, Burt Bacharach, Bonnie Raitt, Mark Knopfler, Michael Tilson Thomas, Gordon Lightfoot, Smokey Robinson, Jack White, Dave Grohl, Run-DMC, and Willie Nelson. A more complete listing of artists he has worked with can be found at: http://www.maximlangstaff.com

Known for his work with John Denver, Max created and produced the acclaimed television event, the Wildlife Concert, spawning the highest rated music program in cable TV history upon broadcast, two multi-platinum CD sets, and one of the best-selling music video programs ever released by SONY.

Working with the Wildlife Conservation Society, Max helped lead the largest fundraising effort ($100mm) ever undertaken for wildlife conservation, seeding the first integrated global conservation initiative to save endangered tigers.

On any given day you will likely find him on a wilderness river or mountain trail. A three-time Boston Marathoner, he lives in North Carolina. SASQ’ET is his first novel.


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Adverse Reactions

by Deborah J. Lightfoot

Genre: Dystopian Paranormal Suspense

 


When your mind makes you the enemy, either your mind must die, or you will. 

Unless yours is the mind they can’t break.


Adverse Reactions

by Deborah J. Lightfoot

Genre: Dystopian Paranormal Suspense



Purity demands a bullet. Devin brings a reckoning.

Since she was six years old, Devin Perridin has been locked behind the walls of the family home to keep her hidden from those who would kill her. But at sixteen, she is exposed as a “Syke,” one of an outlawed minority who possess extraordinary powers of mind over matter. Snatched from hiding, she escapes the firing squad, but only to be imprisoned in a house of horrors: the Peaceful Hills Sanatorium and Rehabilitation Center for the Treatment of Persistent Mental Disorders. After an unknown time of torture and “behavior modification,” brutally designed to destroy her psychokinetic reflexes, she emerges from the asylum severely damaged in mind and spirit. Her salvation may lie in the series of crimes triggered by her release: first kidnapping, then attempted murder, and then a mustering of forbidden forces to assault the remote pseudo-psychiatric facility where she had been tortured into near-mindlessness.

Drawing upon a strength she had always known was hers but had never before been able to consciously control, Devin defies the authoritarian society with its unjust laws that demand her death. She pushes through pain, isolation, and moral quandaries to seek justice for not only herself, but all members of a maligned and cruelly persecuted minority. A post-apocalyptic, paranormal allegory for the times in which we live.

When your mind makes you the enemy, either your mind must die, or you will. Unless yours is the mind they can’t break.

 

“This novel is immediately immersive, with an opening scene that sucks readers in with vivid sensory detail and a great sense of suspense.” —The Black List

“What a story! I was picked up from the first page and you never let me go thereafter. The premise is original … compelling … convincing.” —ARC Reader

“A very enjoyable read. Excellent pacing. Immersive language. Polished, effortless writing. I’d love to see a prequel (or three)!” —ARC Reader

“Relevant to the current situation in the world. Ostracizing others who are different out of fear and ignorance. Cruelty and inhumanity.” —ARC Reader

“Believable and relatable.” —The Black List

“Thematically rich, as Devin faces constant self-doubt but eventually comes to find empowerment in the unique abilities that have made her an outcast.” —The Black List

 

**Get it #OnSale for only $1.99 4/21 – 4/24!**

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Chapter 1

 

VAPORS BILLOWED INTO the chamber in thick masses of orange. Devin choked on the sickly sweet odor.

“Don’t fight it, child,” came the voice—equally cloying—from the darkness beyond the floodlit, glass-walled chamber. “Give yourself up to it.”

The gas surged into Devin’s face, blinding, gagging her. She made it go away. By force of will, a moment’s mental reflex, she flung it back.

Fresh air flooded her nostrils and drove out the syrupy stink. She sucked in a cool, clean breath.

“No!” snapped the voice, crackling with amplified static. “You must not.”

The therapist dropped her with two thousand volts. Devin collapsed to the chamber’s floor, her body jerking, her nerves on fire. The pain was beyond enduring. A pain this intense must be lethal. But she did not die. As she convulsed, her muscles knotted in spasms, she could not scream. No part of her, not even her voice, was under her voluntary control.

“Try it again, child.” Smooth and saccharine once more, her unseen therapist spoke from the concealing shadows as the shock ended and Devin’s pain faded. “Stand up,” the torturer ordered. “And this time, do not fight it. Or your punishment will be the same: swift, sure, and severe.”

Devin struggled upright. She had to brace against the curved glass wall of the gas chamber to keep on her feet. Her muscles had melted from knots into jelly.

An orange cloud flooded the chamber and filled her nose with the stink of rotting fruit.

“Breathe it,” her therapist instructed. “You must.”

But again, Devin reacted by instinct alone. No conscious thought interposed between stimulus and response. The cloud approached; she pushed it away. Pure reflex, action of mind: act of self-preservation. The gas held back, suspended in midair, blocked by the power of her impulse.

On the instant, thousands of volts knocked her to the floor. Pain engulfed Devin, such a pain as must be lethal but wouldn’t do her the service of killing her. She writhed, silent and barely conscious.

Her therapist withdrew the punishment. Devin remained on the floor of the isolation chamber, curled in the fetal position, her long brown hair covering her face. Her body was hers to command once more, but her muscles had no strength to obey.

“You give new meaning to the word persistent, don’t you, girl?” muttered the disembodied voice. Then, more forcefully: “The first step toward healing is to admit you are diseased, Miss Perridin. You have an illness. A mental disorder. I am offering you the cure—in a pleasant aerosol spray that you need only breathe. Once inhaled, the drug acts quickly, and its effects are lasting. But you must take the first step and acknowledge that you want to be cured.”

The voice grew soft, sugary. “Child, for as long as you hold to the notion—the mistaken notion—that your disorder is in some way a strength or a benefit to you, you will continue to fail. And you will suffer the consequences of that failure. We can’t have that, can we?”

Devin gathered the remnants of her strength and rolled onto her back. To stand was impossible; she could barely shape a word.

“No,” she whispered.

She wasn’t speaking to her tormentor.

But: “That’s the spirit!” the therapist responded, sounding genuinely enthused. “Now we try again. Take your medicine like a good girl.”

The orange stink flowed in at the top of the chamber. Devin, lying face up, watched through the curtain of her hair as the cloud descended. She had time to ward it off, to make it go away. But in the soul of her being, nothing sparked. Her reflexes, her instincts, failed to respond. What had been a spontaneous force of mind over matter could offer no resistance.

Devin’s mouth filled with the sickening taste of defeat. The orange cloud enveloped her, a sticky weight, and she choked down lungfuls.

“Wonderful!” her therapist exclaimed. “My dear, I couldn’t be more pleased. This is the tipping point. Your recovery will be much easier from now on, I promise.”

Devin breathed the sickly sweet drug and felt the core of her mind go dead.

Then came the retching. Her body contorted in gut-shredding paroxysms as the drug made her vomit—or attempt to vomit. Her keepers had starved her for so long, her stomach had nothing to bring up. The dry heaves racked her with such violence that she could not breathe. After long moments, unconsciousness brought relief.





Castles in the cornfield provided the setting for Deborah J. Lightfoot’s earliest flights of fancy. On her father’s farm in Texas, she grew up reading tales of adventure and reenacting them behind ramparts of sun-drenched grain. She left the farm to earn a degree in journalism and write award-winning books of history and biography. High on her bucket list was the desire to try her hand at the genre she most admired. The result is Waterspell, a multi-layered fantasy series about a girl and the wizard who suspects her of being so dangerous to his world, he believes he’ll have to kill her … which troubles him, since he’s fallen in love with her.

 

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The Man in the Middle




A Tapestry of Tangled Lives


Family Saga / Fiction / Based on True Lived Experiences

Date Published: April 6, 2026

Publisher: Serapis Bey Publishing, Arizona, US http://www.parulagrawal.com

 


A story of human connection between twins, between lovers, between comrades in war, set against the shadow of the evangelical religion and its judgments.”

 

Based on a childhood of shadowy secrets surrounding her parents’ marriage and the rigid judgment of the Evangelical religion, the author attempts to find her truth. A work of historical fiction and romance, it spans the era of WWII and beyond, weaving the story of her father, mother and aunt (her mother’s twin sister). The unexpected twists and turns mirror those of our own lives, and readers can empathize and identify with the characters’ humanity as they struggle with their flaws. The power of religious judgement is explored along with the strength and resilience of individuals challenged by the ethics of life. This is also a fascinating study of the complexities of being twins. With the strongest of bonds that overwhelms their very different personalities, their love for the same man creates a gulf between them that threatens their entire adult relationship. It is also a story of a man and how he navigates his own journey after love and loss. When his WWII experience takes him to countries he has never dreamed of seeing, and opens him to the excitement of new cultures, he finds new meaning. At the same time, his bonds to his comrades in arms and their shared experiences of battlefield traumas leaves him with emotional scars. A story of secrets and the power of love, the themes of self-doubt and second chances are embedded in the narrative, along with the acceptance of one’s actions following painful choices.

A story of human connection between twins, lovers, comrades during World War 11, families, and generational trauma, set across the United States and Europe and against the shadow of the Evangelical religion and its judgments. A family saga of secrets, shadows, and unspoken enduring love, and its impact across three generations, based on a true story of lived experience. A work of romantic, historical fiction, The Man in the Middle; A Tale of Tangled Lives is based on the true story of the author’s parents. It follows their youth in the early 1900s in US, through the years of WWII in Europe, and after, and their lives as friends, lovers, parents, and elderly individuals.

This is a story of love and its many forms. There are no heroes or demons, only people dealing with their humanity. Or maybe there are heroes: Luke, as he navigates his life honourably and responsibly, while harbouring feelings for more than one woman; Anna as she comes to terms with her selfish impulses and attempts to overcome them; Pierrette, who recognizes and accepts that she cannot give Luke the life he wants, and that their love is not enough. Karoline is perhaps the true heroine of the book. A victim of the religious beliefs she is trapped by, she finds it impossible to love herself. Instead, she spends her life feeling inferior to her sister and undeserving of Luke’s love. At Luke’s passing, she finally receives the confirmation of her worth and her place as the love of his life.

 

About the Author


“The author lives half-time in San Diego, CA, and half-time in a small village in Southern France. This is her exploration of the unexplained secrets that shadowed her childhood and the consequences that haunt all our choices.”

“I wrote this book to come to terms with my past. I wanted to understand the people who raised me, through the fictional characters of Karoline and Luke, who represent my parents and my mother’s twin sister, Anna, who represents my aunt. My childhood was full of love, but as I watched the individuals around me, I sensed a drama that excluded me. I knew my father had been in WWII and experienced Normandy, the Battle of the Bulge and much more during the four years he spent in Europe. The way he talked about the world he had discovered there intrigued me and I knew there was more to tell, which he never spoke about. My mother adored my father, but there was a tension in the room when my aunt was present. A connection between my father and my aunt was obvious despite their effort to hide it. Through the years, there were inadvertent comments that hinted of a previous relationship between them, but it wasn’t until the end of my father’s life that conversations took place that enlightened me. I didn’t ask, but they each wanted to tell their story, their truth about what happened. This book is my truth, my experience in living with them and loving them. It is my attempt to honor them by exploring their humanness and accepting that we are each a complex entity.”

 

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Instagram: @julie.lee.williams


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